1. Closer: Robert Capa used to say that: if your photos are not good enough, you’re not close enough. This is very true, particularly so when it comes to street, documentary and travel photography. Being closer to the scene means being part the action and this in turn allows the viewer to feel like they too are part of it all. At a couple of meters away from the story, your photographs transmit much more power and emotion.
About Jorge Delgado-Ureña
This author has yet to write their bio.Meanwhile lets just say that we are proud Jorge Delgado-Ureña contributed a whooping 67 entries.
Entries by Jorge Delgado-Ureña
Gandhi said that if you want to change the world, start with yourself. It’s a statement that has always seemed very accurate to me and very valid for all fields, including photography.
Constant connectivity, faster everything…what’s next, a camera that uploads straight to social media? Oh wait, it already exists…
The title of the book comes from a Goethe quote: “Colors are the deeds and suffering of light.” This book is not about a place, or a specific subject, or even a theme. It is about a way of seeing in color…
In this era of social networks and immediacy, a documentary work done with affection and patience, allowing the photographer to get to the bottom of the matter is not common so when you find it, it is appreciated. It is not without reason that Javier has labeled his agency ‘oak stories’: Like a good wine, stories taste better when you give them time and care.
Considered by some as the American version of Brassai because he photographed at night, Usher Felling A.K.A. Arthur H. Fellig A.K.A. Weegee was one of those photographers who had the audacity to re-invent himself, invent a career, a style and a way of working that we take for granted today, but that in the 30s and 40s nobody had thought of.
For some time now, analogue photography has been making a comeback which in my opinion is great news. There are many benefits to shooting in analog, from the process of photographing with old cameras to experimenting with different types of film, and as with most things that become popularised, this leads to many discussions and reviews on which film is better.
A couple of weeks ago I watched “Raghu Rai: An Unframed Portrait”, a documentary directed and produced by Avani Rai, daughter of the legendary photographer and once protégé of Henry Cartier-Bresson. In it one is made privy to some beautifully intimate moments of this Magnum photographer’s life and his extraordinary work.
Almost all photographers fantasise from time to time, about having a brand-new Leica M, perhaps with the idea that Henry Cartier-Bresson’s spirit will suddenly possess us and guide us towards capturing decisive moments in every corner and with every shot we take.
If there is something that we as a society love, it’s curious stories and surprising discoveries. In the international photographic scene, after the acclaimed documentary “Finding Vivian Maier” was released, she and her photography were both: a character with a very curious story and certainly a discovery.