The first thing we have to do with regards to ethics and self-censorship is stop for a moment and reflect on what kind of photography we are doing, or more specifically that we want to explain or express with our photography.
There are plenty of virtual galleries available to showcase street photography, however, exhibiting this work in the ‘real world’ is whole different story, especially as an emerging photographer. Is there a time lag between the virtual and real world in which it’s just a matter of time before the real world catches up? Or does street photography signed by John or Jane Doe simply not sell?
We interviewed Alexey Shifman, founder of Raw Street Photo Gallery to answer these questions for us.
The days are much longer and that paired with the fact that many of you will be enjoying summer holidays means that you now have the gift of time. So, with that in mind, we wanted to share with you 5 ideas of what you could do with that extra time in order to explore new ways of learning photography, practicing and becoming even better photographers!
“Change the world” and “photography” is a strange combination, however, if you take a moment to look at the data you’ll find that 80,000,000 photos are published every day on Instagram. Pair this with the fact that there is still much to do to make this world a better one and it’s easy to come to the conclusion that photography, on Instagram alone, can certainly make a difference.
My father’s passing left me with one big regret: not having photographed the precious moments I had had with him. Not having a visual testament of his life. Why am I telling you all this? Well, not a week after my father’s death, and purely by chance, I stumbled across @my_dad_for_a_while on Instagram. This is where the inspiring story begins.
To take photos we need equipment, and if we want our work to have a certain technical quality, that equipment is going to be expensive. Especially with regards to optics. However, for some time now, some Chinese manufacturers have been selling very interesting and bright fixed optics at a more accessible price. One of those optics is the 7 Artisans 25mm f / 1.8, which in its X mount version costs around 70 €.
My students often ask me about the differences between a single image and a series, about the content of a photo and the stories they want to tell. How do they find purpose…
In the previous post I presented five reasons why a 35mm focal length was the best option, but I also said that the 35mm is just one of the two lenses that constantly fight for the first position in the battle of fixed lenses, especially in street photography. Today I am going to present five reasons why a 50mm is the best option.
If you have to use a single fixed lens (not mandatory but always a good idea) there are two major rivals, the 35mm and the 50mm. They are two focal lengths that are widely used by documentary photographers, photojournalists, street photographers, etc. however, in this article I am going to give you 5 reasons as to why the 35mm focal is the best focal.
Throughout the history of humanity there have been places where people converge in search of inspiration, creativity and a sense of thought. In ancient times, these places were referred to as sacred lands; starting points for all kinds of religions and cultures, but over time these places of “power” have evolved and have taken form in much more personal spaces, less related to mysticism and more related to home, family or friends.
During my last workshop in Morocco, Hannah, a great student and an even better person asked me: What does photography mean to you? “Good question” I told her and I gave her my answer, an answer that has been circling my head ever since.
Complicated compositions don’t necessarily make a good photograph. In this post we explain 5 easy compositions that will help you create powerful images.
Nowadays we are constantly bombarded with advertising by brands selling all kinds of photographic products, from backpacks to tripods to lighting and of course, cameras. G.A.S. is something that is often joked about in forums or in blogs however, in reality it does us little favours when it comes to being more creative in how we tell stories and becoming better photographers.
Discover 3 easy ways in which to do portraits with nothing more than natural lighting, the elements you have at hand (regardless of where you are) and a small off-camera flash with a remote trigger.
Cleverly named ‘Mission Gold’, which references the Mission Neighbourhood of San Francisco and what Nick refers to as the 24-Carat motherlode that he himself has mined from the street to create this project, it focuses on the entrepreneurs that live and thrive in the shadows of Silicon Valley.
When you try to imagine what Samuel Aranda might be like; a photographer who has won a World Press Photo of the year (amongst many others), whom collaborates with one of the most important newspapers in the world and that dedicates his time to travelling the world covering conflicts and social drama, it’s easy to imagine the typical intrepid or adventure photographer…
Great photographers are hard to find and Victoria Iglesias is one of them. You might not know her by name but you’ve probably seen her portraits in Interviú, Travel, ParisMatch, Cosmopolitan, Vogue or several other magazines in which her photos have been featured.
With 909.263 posts on Instagram, the hashtag life_is_street is probably one of the ones you’re using if you’re into street photography, and if you’re not, you should be since Fabrice Cilpa, founder of the famous street photography “feature” account, is one of the best photographic editors of this social network.
Amongst all the noise of a social network like Instagram, Craig Whitehead aka @sixstreetunder, is one of those photographers that catches your eye and through his use of colour, composition and his attention to detail, makes you feel the rain, the colours and the light of his city.
The word composition comes from the Latin compositio, -onis, derived from compositium, which means to put together, connect or arrange. In visual arts, it refers to the balanced and harmonious distribution of different elements.